Academic Journal
Q1Theatre Research International
About Theatre Research International
Theatre Research International is a scholarly journal published by Cambridge University Press. SCImago 2025 lists it in Q1, with an SJR of 0.25 and H-index of 20.
Coverage: 1970, 1975-2025. Research categories: Literature and Literary Theory (Q1); Visual Arts and Performing Arts (Q1).
Source-backed journal facts
Topics in published research
Theatre and Performance Studies; Diverse Scientific and Economic Studies; Shakespeare, Adaptation, and Literary Criticism; Irish and British Studies; Theater, Performance, and Music History; Legal Cases and Commentary.
OpenAlex classifies topics from published works. These topics are not the publisher’s official aims and scope.
Reported open-access list prices
3,550.00 USD; 2,460.00 GBP
APC list prices reported by OpenAlex, which obtains this information from DOAJ. Confirm current charges, taxes, waivers and eligibility with the publisher; this is not a fee quotation.
Source: OpenAlex source record. Retrieved 2026-10-03. Source record updated 2026-10-02. OpenAlex metrics are different from SCImago metrics and the Clarivate Journal Impact Factor.
Journal Metrics
Quartile, SJR and the listed SCImago H-index use the 2025 imported SCImago dataset. A quartile may vary by subject category. Values without a source or reporting year are unverified historical entries. Verify the current Journal Impact Factor with Clarivate or the publisher before using it.
Aims & Scope
The publisher’s official aims and scope have not yet been verified for this profile. Use the journal website to check subject fit and accepted article types before submitting.
Recent Research Articles
Latest publications matched automatically by ISSN.
Performance and human-animal entanglements
Anna-Sophie Jürgens
2026-09-28 · DOI: 10.1080/03078833.2026.2728807Chinese performance in the Victorian goldfields from the 1850s to 1870: the contradictions of resources and representations
Joanne Tompkins, Liyang Xia
2026-09-22 · DOI: 10.1080/03078833.2026.2725936Clowns, politics and disobedience in the Catalan referendum for independence
Eva Aymami Rene
2026-09-22 · DOI: 10.1080/03078833.2026.2730429Why should we study Arabic theatre?
Hadeel Abdelhameed
2026-09-22 · DOI: 10.1080/03078833.2026.2725941The politics of queer emotion in Tom Stoppard’s The Invention of Love
Wenfei Yi
2026-09-18 · DOI: 10.1080/03078833.2026.2729149Utpal Dutt and political theatre in postcolonial India
Elham Oghabi
2026-09-17 · DOI: 10.1080/03078833.2026.2728810South Asian disability and deaf theatres
Shashank Shekhar, Smita Jha
2026-09-11 · DOI: 10.1080/03078833.2026.2728811Intersectionality in ‘folk’ performance through identity and expression
Sohail Hoda
2026-09-10 · DOI: 10.1080/03078833.2026.2728806Contemporary performance translation: challenges and opportunities for the global stage
Vanesa Cotroneo
2026-09-10 · DOI: 10.1080/03078833.2026.2728804The figure of the monster in global theatre: further essays on the aesthetics of disqualification
Gheorghe Williams
2026-09-10 · DOI: 10.1080/03078833.2026.2728813Playing with plays: drama and early modern Chinese media ecologies
Nellie Yang
2026-09-10 · DOI: 10.1080/03078833.2026.2728814Curating the commons: socially engaged public art
Irene Gerogianni
2026-09-10 · DOI: 10.1080/03078833.2026.2728805Performing climates
Carl Lavery
2026-09-10 · DOI: 10.1080/03078833.2026.2728809Beyond the Sewol: activist theatre and performance in South Korea and the diaspora
Hayana Kim
2026-09-10 · DOI: 10.1080/03078833.2026.2728808The pedagogic and the performative in Indian theatre: negotiations of a feminist collaborative imagination
Trina Nileena Banerjee
2026-09-10 · DOI: 10.1080/03078833.2026.2728802Inside Chinese Theater: community and artistry in nineteenth-century California and beyond
Bao Yalin
2026-09-10 · DOI: 10.1080/03078833.2026.2728803Expanding the definition: Beirut (1993), U.S. drama, and the performance of HIV/AIDS in Spain
Álvaro Albarrán Gutiérrez
2026-08-14 · DOI: 10.1080/03078833.2026.2714843Fostering connection without collapse: attuning to the third Space in participatory performance practice
Ellen Frances Wagstaff
2026-07-17 · DOI: 10.1080/03078833.2026.2699250Autistic perspectives in actor training: the pedagogical possibilities of re-examining eye contact
Zoë Glen
2026-07-17 · DOI: 10.1080/03078833.2026.2695111Undoing the world together: feminist facilitation as play, care, and revolt
Alice Bell, Gaia Del Negro, Silvia Luraschi, Marina Sossi et al.
2026-07-17 · DOI: 10.1080/03078833.2026.2696919Reviews
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Version History
October 4, 2026 at 9:33 pm
October 2, 2026