Academic Journal
Q1Russian Musicology
About Russian Musicology
Russian Musicology is a scholarly journal published by Gnesins Russian Academy of Music. SCImago 2025 lists it in Q1, with an SJR of 1.76 and H-index of 1.
Coverage: 2024-2025. Research categories: Arts and Humanities (miscellaneous) (Q1); Education (Q1); Music (Q1); Religious Studies (Q1); Visual Arts and Performing Arts (Q1).
Open-access policies and author information
Reported in the official DOAJ public CSV snapshot (2026-09-01), downloaded 2026-10-03. Record updated 2025-05-14. This snapshot does not establish today’s listing status or fee quotation.
Publisher policy links recorded by DOAJ
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Source-backed journal facts
Topics in published research
Musicology and Musical Analysis; Diverse Musicological Studies; Emergency Medicine Education and Research; Diverse Music Education Insights; Central Asia Education and Culture; Discourse Analysis and Cultural Communication.
OpenAlex classifies topics from published works. These topics are not the publisher’s official aims and scope.
Source: OpenAlex source record. Retrieved 2026-10-03. Source record updated 2026-09-30. OpenAlex metrics are different from SCImago metrics and the Clarivate Journal Impact Factor.
Journal Metrics
Quartile, SJR and the listed SCImago H-index use the 2025 imported SCImago dataset. A quartile may vary by subject category. Values without a source or reporting year are unverified historical entries. Verify the current Journal Impact Factor with Clarivate or the publisher before using it.
Aims & Scope
The publisher’s official aims and scope have not yet been verified for this profile. Use the journal website to check subject fit and accepted article types before submitting.
Recent Research Articles
Latest publications matched automatically by ISSN.
On the Significance of the Composer’s Comments in the Scores of Guo Zurong’s Piano Concertos (On the Example of the Sixth Piano Concerto Ode to the Plum Blossom)
Cui Xiwen
2026 · DOI: 10.56620/rm.2026.1.119-131Pyotr Tchaikovsky: The Composer’s Circle of Virtual and Real Communication
Shao Mengqi
2026 · DOI: 10.56620/rm.2026.1.075-087Clarinet Concerto by Tolibkhon Shakhidi: Poetics of the Genre
Orzubonu N. Nurulloyeva
2026 · DOI: 10.56620/rm.2026.2.019-032Modern Response of the People’s Soul: Broadcasting and Exploring Sibelius’ Music in Finland over the Last Decade
Zhao Ge
2026 · DOI: 10.56620/rm.2026.1.061-074The Dilemma and the Resolution: A Study of the Compatibility between Traditional Chinese Musical Elements and Western Music Systems
Wei Shen
2026 · DOI: 10.56620/rm.2026.2.093-116Dialectics of Contrasts in the Oratorio On Love and Hatred by Sofia Gubaidulina
Nadezhda V. Shirieva
2026 · DOI: 10.56620/rm.2026.2.033-050The Role of Mentality in Understanding Musical-Theoretical Definitions (On the Example of Timbre and Texture Analysis in the Works of Chinese Musicologists)
Cui Xiwen, Alexandra V. Krylova
2026 · DOI: 10.56620/rm.2026.1.033-044Supported Singing as a Phenomenon of Vocal Technique: Research and Methodological Perspective
Sara Vujošević Jovanović, Dmitry N. Grinikh
2026 · DOI: 10.56620/rm.2026.1.150-162Russian Musicology after 1991: The Chief Scholarly Trends
Tatiana I. Naumenko
2026 · DOI: 10.56620/rm.2026.1.005-019Artistic Aspects of Russian Music Publishing in the Second Half of the 19th – Early 20th Century: M.P. Belaieff, Leipzig
Olga V. Radzetskaya
2026 · DOI: 10.56620/rm.2026.1.163-173Between Cantus Firmus and Pervasive Imitation: Features of Working with Liturgical Sources in Early Tudor Composers Motets
Gleb A. Konkin
2026 · DOI: 10.56620/rm.2026.1.045-060Time, Tradition, Author: Artistic Concepts of the Piano Concerto by Alexey Krasheninnikov
Anna G. Chupova
2026 · DOI: 10.56620/rm.2026.1.104-118The Landscape of Russian Opera Scholarship within China across the Last Ten Years
Xiao Kang
2026 · DOI: 10.56620/rm.2026.2.133-142Russian Music in Marc-André Hamelin’s Performing Practice (Part 2): Nikolai Medtner’s Sonatas
Irina I. Sukhorukova
2026 · DOI: 10.56620/rm.2026.1.132-149Dmitry Shostakovich’s Orchestral Dialogues: The Symphony as an Opera
Irina P. Susidko, Pavel V. Lutsker
2026 · DOI: 10.56620/rm.2026.2.006-018The Issue of Virtual Leisure in the Digital Culture of the 21st Century
Nadezhda A. Tsareva
2026 · DOI: 10.56620/rm.2026.2.183-193Emotiology in the Context of Musical Aesthetics: Towards the Problem Statement
Polina S. Volkova, Natalia G. Solodovnikova
2026 · DOI: 10.56620/rm.2026.2.167-182Chamber and Instrumental Music by Alexey Krasheninnikov: Experimental Poetics
Ekaterina G. Okuneva, Darya S. Semko
2026 · DOI: 10.56620/rm.2026.2.051-073Reviews
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Version History
September 25, 2026 at 7:19 am
September 25, 2026