Academic Journal
Q2Choreographic Practices
About Choreographic Practices
Choreographic Practices is a scholarly journal published by Intellect Ltd.. SCImago 2025 lists it in Q2, with an SJR of 0.121 and H-index of 7.
Coverage: 2014, 2016-2025. Research categories: Visual Arts and Performing Arts (Q2).
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Aims & Scope
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Recent Research Articles
Latest publications matched automatically by ISSN.
Dancing Dante’s La Vita Nuova: The task of the translator–choreographer
Holly Nelson
2025-12-01 · DOI: 10.1386/chor_00097_1How do choreographed words work and what do they have to say? Reading kinetic textuality in Indispensible Blue (Offline)
Rosa Lambert
2025-12-01 · DOI: 10.1386/chor_00091_1Choreo-translations: Dancing at the borders of translation and choreography
Jess McCormack
2025-12-01 · DOI: 10.1386/chor_00095_1Imagining choreography as a dissident social practice in contemporary dance in India
Sanchita Sharma
2025-12-01 · DOI: 10.1386/chor_00096_1Behind Closed Doors: A choreographic study examining how movement embodies the philosophical notion of ‘affect’
Jen Rees
2025-12-01 · DOI: 10.1386/chor_00092_1Hauntological choreographies: From Solo 2009 to Finally, Fairies!
Tristan Koepke
2025-12-01 · DOI: 10.1386/chor_00094_1Editorial
Amaara Raheem
2025-12-01 · DOI: 10.1386/chor_00098_2When ‘get well soon!’ is not an option: Sick-bodied performance as an alternative ontology in Johanna Hedva’s Sick Witch
Rosalia Lerner
2025-12-01 · DOI: 10.1386/chor_00093_1Posthuman thinking in 360° immersive dance practice
Kirsty Russell
2025-06-01 · DOI: 10.1386/chor_00086_1The choreographies of supermodern time: Mapping non-place in Nina Rajarani’s Quick! and Divya Kasturi’s NowHere
Suparna Banerjee
2025-06-01 · DOI: 10.1386/chor_00087_1S. Ama Wray and Robert Hylton choreographing in the early 2000s: The cultural politics of choreographic fusion in the United Kingdom
‘Funmi Adewole-Elliott
2025-06-01 · DOI: 10.1386/chor_00088_1The back and forth of no-how generating: An orientation to practising choreography and/as knowledge-generation
Matthias Sperling
2025-06-01 · DOI: 10.1386/chor_00084_1Editorial
Dani Abulhawa, Lee Miller
2025-06-01 · DOI: 10.1386/chor_00090_2Splenic thinking: A speculative provocation in performance and practice
Joanne ‘Bob’ Whalley
2025-06-01 · DOI: 10.1386/chor_00089_1William Forsythe’s Postdramatic Dance Theater: Unsettling Perception, Freya Vass (2023)
Sarah Pini
2025-06-01 · DOI: 10.1386/chor_00085_5A choreographic method of mis/fit in aerial dance
Elizabeth Stich
2024-12-01 · DOI: 10.1386/chor_00081_1We have the technology
Kristian Larsen
2024-12-01 · DOI: 10.1386/chor_00080_1A research conversation: Stephanie Arsoska and Andrew Morrish
Stephanie Arsoska, Andrew Morrish
2024-12-01 · DOI: 10.1386/chor_00082_7Artistic methods for remote touch: A practice-based research with audio recordings
Greta Gauhe
2024-12-01 · DOI: 10.1386/chor_00079_1Approximating superpositions in the continuum of jo-ha-kyū and ma: A method of mediating indeterminacy in movement improvisation
Nareeporn Vachananda
2024-12-01 · DOI: 10.1386/chor_00078_1Reviews
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October 2, 2026 at 11:22 pm
October 2, 2026