
Academic Journal
Q2Photography and Culture
About Photography and Culture
About Photography and Culture
Photography and Culture is a peer-reviewed scholarly journal published by Taylor and Francis Ltd. (United Kingdom). It focuses on Q2. Publication coverage spans 2012-2025.
Key indicators: ISSN 1751-4525, 1751-4517; H-index 11.
Understanding This Journal's Metrics
Journal metrics help researchers assess fit, but they must be interpreted in context:
- H-index (11): 11 articles have each received at least 11 citations, indicating growing recognition.
Publishing in Photography and Culture
When considering this journal, verify its current indexing status, editorial board, and recent publications to ensure it meets your needs for visibility and credibility.
- Scope fit: Confirm your research aligns with Q2. Off-scope manuscripts are typically desk-rejected quickly.
- Author guidelines: Follow formatting, reference style, and article-type requirements exactly — non-compliant manuscripts may be returned without review.
- Submission: Submit via the official journal website.
Is This Journal Right for Your Paper?
- Audience match: Will the journal's readers cite and build on your findings?
- Timeline: Higher-tier journals mean longer review and higher rejection risk. Balance prestige against your schedule.
- Indexing: Confirm indexing in Web of Science, Scopus, and PubMed (if biomedical) meets your institutional requirements.
- Open access needs: Check funder mandates and whether the journal offers compliant OA options.
Frequently Asked Questions
What is the ISSN of Photography and Culture?
1751-4525, 1751-4517.
Who publishes Photography and Culture?
Taylor and Francis Ltd..
What are Photography and Culture's metrics?
H-index 11.
Where do I submit to Photography and Culture?
Via the official website.
Is Photography and Culture peer-reviewed?
Yes — it is a peer-reviewed scholarly journal indexed in major academic databases.
Source-backed journal facts
Topics in published research
Photography and Visual Culture; Visual Culture and Art Theory; Memory, Trauma, and Commemoration; Art, Politics, and Modernism; Human auditory perception and evaluation; Qualitative Research Methods and Ethics.
OpenAlex classifies topics from published works. These topics are not the publisher’s official aims and scope.
Source: OpenAlex source record. Retrieved 2026-10-03. Source record updated 2026-10-02. OpenAlex metrics are different from SCImago metrics and the Clarivate Journal Impact Factor.
Journal Metrics
Quartile, SJR and the listed SCImago H-index use the 2025 imported SCImago dataset. A quartile may vary by subject category. Values without a source or reporting year are unverified historical entries. Verify the current Journal Impact Factor with Clarivate or the publisher before using it.
Aims & Scope
The publisher’s official aims and scope have not yet been verified for this profile. Use the journal website to check subject fit and accepted article types before submitting.
Recent Research Articles
Latest publications matched automatically by ISSN.
Reading Photographs From Below: Duplicate Photographs of Labor in the Cave and the Coal Mine
Jenna Marvin
2026-10-16 · DOI: 10.1080/17514517.2026.2739690A Critical Framing of Contemporary Studio Portraiture in the Context of Progressive Nostalgia
Caroline Molloy
2026-10-08 · DOI: 10.1080/17514517.2026.2735766Latent Gestures: Autobiographical Perception and Queer Recognition in the South East Archive of Seaside Photography
Sam Vale
2026-10-06 · DOI: 10.1080/17514517.2026.2737499To Hold: On the Corporeal Enactments of Possession of Colonial Ephemera from the Philippines
alejandro t. acierto
2026-09-30 · DOI: 10.1080/17514517.2026.2735187Visualizing the Nuclear: Visibility and Invisibility in U.S. Photographic Representations from the Pacific
Heather Waldroup
2026-09-29 · DOI: 10.1080/17514517.2026.2731840Embodying the Family Album: Acts of Performance
Ana Janeiro
2026-09-29 · DOI: 10.1080/17514517.2026.2714607A Forgotten Chapter of Photographic History: A Handscroll Photo Taken by the Kinhwa Cylinder-Image Camera
Wen Zhang
2026-09-24 · DOI: 10.1080/17514517.2026.2734228Futurity from Frictions. The Photothek of the Kunsthistorisches Institut in Florenz as a Laboratory
Costanza Caraffa
2026-09-09 · DOI: 10.1080/17514517.2026.2722872A Stranger in my Mother’s Kitchen
Celine Marchbank
2026-08-28 · DOI: 10.1080/17514517.2026.2717053A Group Photo
Maria Kapajeva
2026-08-27 · DOI: 10.1080/17514517.2026.2715271Staging the Future: Caballería and Cuban Epic Photography
Juanita Solano Roa, Blanca Serrano Ortíz de Solórzano
2026-08-27 · DOI: 10.1080/17514517.2026.2719377Negotiating Nostalgia, Folding Photographs: A Practice-Led Critical Examination of Whiteness, as a Politics of Belonging
Sian Gouldstone
2026-08-21 · DOI: 10.1080/17514517.2026.2717055The Caged Song
Miranda Hutton
2026-07-27 · DOI: 10.1080/17514517.2026.2704240Autoportrait – An Interview with Photographer and Artist Hrair Sarkissian
Sara Andersdotter, Hrair Sarkissian
2026-07-01 · DOI: 10.1080/17514517.2026.2679839Picturing African Futures: Photography, Education and International Understanding in a UNESCO Poster Set
Darren Newbury
2026-07-01 · DOI: 10.1080/17514517.2026.2691365Photographic Firsts, Seen from a Distance: Adult Memories of Childhood Camera Experiences
Annebella Pollen
2026-05-18 · DOI: 10.1080/17514517.2026.2654900Lompatan di Ambang Batas : Agency, Risk, and The Photo Narrative of Three Acts in One Frame at Lake Toba
Adek Cerah Kurnia Azis, Jagad Aditya Dewantara, Tri Marhaeni Pudji Astuti, Adam Firdaus Napitupulu et al.
2026-04-29 · DOI: 10.1080/17514517.2026.2657617Between Politics and Fine Arts: Archiving “New China” in “Origin: The Chinese Photography Collection Exhibition, 1957–1980”
Qiu Chen
2026-01-02 · DOI: 10.1080/17514517.2026.2627091From the Editors
Sarah Parsons
2026-01-02 · DOI: 10.1080/17514517.2026.2648373Constructed Realities (2019–2022)
Abraham O. Oghobase
2026-01-02 · DOI: 10.1080/17514517.2026.2637356Reviews
Community Reviews
Version History
October 10, 2026 at 1:38 pm
October 2, 2026