Academic Journal
Quartile not availableThe Italianist
About The Italianist
The Italianist is a peer-reviewed scholarly journal published by Maney Publishing (GB). It focuses on Italian Literature and Culture, Renaissance and Early Modern Studies, Cinema History and Criticism.
Key indicators: ISSN 02614340, 1748619X; H-index 23; 1,365 works indexed; 2,507 citations.
Scope and Subject Areas
The journal covers: Italian Literature and Culture, Renaissance and Early Modern Studies, Cinema History and Criticism, Italian Fascism and Post-war Society, Cinema and Media Studies, Renaissance Literature and Culture, Classical Studies and Philology, Medieval Literature and History.
Journal Metrics
- H-index (23): 23 articles have each received at least 23 citations.
- Works indexed: 1,365 publications tracked in OpenAlex.
- Total citations: 2,507.
- Open Access: No.
Publishing in The Italianist
Researchers should verify the journal's current scope, submission guidelines, and indexing status via the official journal website before submitting. Ensure your manuscript aligns with the journal's subject areas.
Official website: https://www.tandfonline.com/toc/yita20/current
Frequently Asked Questions
What is the ISSN of The Italianist?
02614340, 1748619X.
What subjects does The Italianist cover?
Italian Literature and Culture, Renaissance and Early Modern Studies, Cinema History and Criticism, Italian Fascism and Post-war Society, Cinema and Media Studies.
Who publishes The Italianist?
Maney Publishing.
Is The Italianist peer-reviewed?
Yes — it is a peer-reviewed scholarly journal.
Journal Metrics
A quartile may vary by subject category. Values without a source or reporting year are unverified historical entries. Verify the current Journal Impact Factor with Clarivate or the publisher before using it.
Aims & Scope
The publisher’s official aims and scope have not yet been verified for this profile. Use the journal website to check subject fit and accepted article types before submitting.
Recent Research Articles
Latest publications matched automatically by ISSN.
Dante, Francesca, and the Lancelot , or How Arthurian Literature Should Not Be Read
Gianluca Caccialupi
2026-09-23 · DOI: 10.1080/02614340.2026.2715178Emigration, Colonialism, and Lucanian Contadini : Transnational Subjects and Nationalist Expansion in the Work of Rocco Scotellaro
Isabella Livorni
2026-09-23 · DOI: 10.1080/02614340.2026.2668879Rewriting the Polesine Flood: Gender and Ecology in Sonia Aggio’s Magnificat
Anna Finozzi, Franco Pauletto
2026-09-18 · DOI: 10.1080/02614340.2026.2678001Figli della malinconia e della notte : Exploring Anna Maria Ortese’s Sprites and Sorrowful Childlike Creatures
Marco Ceravolo
2026-09-18 · DOI: 10.1080/02614340.2026.2677225Parola di generale. Sulla lingua di un recente libello
Francesco Bianco
2026-07-17 · DOI: 10.1080/02614340.2026.2633803La realtà instabile nella narrativa contemporanea: Il caso di La mischia di Valentina Maini
Alberto Casadei
2026-05-27 · DOI: 10.1080/02614340.2026.2639459Calvino’s Guizzo : Realism and the Semiotics of Passions
Davide Messina
2026-03-05 · DOI: 10.1080/02614340.2026.2626599‘I Found This Movie on YouTube’: Curating Italian Horror Films in the Streaming Era
Austin Fisher
2025-05-04 · DOI: 10.1080/02614340.2025.2475256Delfini, leoni, basilischi e altre specie animali: Viaggio tra i film ispirati (o paragonati) a I vitelloni
Rinaldo Vignati
2025-05-04 · DOI: 10.1080/02614340.2025.2459957Introduction: Rethinking Circulation in Italian Film and Media
Simone Brioni, Rachel Johnson, Shelleen Greene
2025-05-04 · DOI: 10.1080/02614340.2025.2603788Long Takes and the Grotesque in Ettore Scola’s Brutti, sporchi e cattivi (1976)
Edward Bowen
2025-05-04 · DOI: 10.1080/02614340.2025.2593438Understanding the Limited Circulation of Italian Cinema in the Contemporary United States Market
Giovanna Caterina De Luca
2025-05-04 · DOI: 10.1080/02614340.2025.2500764Italian Originals, European Reach : La circolazione dei contenuti scripted italiani nei cataloghi VOD europei (2020–2023)
Nicola Crippa
2025-05-04 · DOI: 10.1080/02614340.2024.2432720Distribution and Promotion of New Practices and Rites for Film Circulation in Italy: The Case Study of the Lago Film Fest
Federica Carbone
2025-05-04 · DOI: 10.1080/02614340.2025.2529040Da service a produttore: La coproduzione internazionale come strumento di crescita per le industrie emergenti dell’animazione
Elisabetta Badolisani
2025-05-04 · DOI: 10.1080/02614340.2024.2432718Between Two Worlds: Disjointed Trajectories in the Local and Global Circulation of Italian Made-for-Television Horror Series
Giulio Olesen
2025-05-04 · DOI: 10.1080/02614340.2025.2500766Quality, Realism, and Film Stars: Popular Reception of Italian Cinema in Chile (1950s– 1960s)
María Paz Peirano
2025-05-04 · DOI: 10.1080/02614340.2025.2603144‘The New Order of Things’: Leopardi and AI
Marta Arnaldi
2025-01-02 · DOI: 10.1080/02614340.2025.2537468La corrente marina nel nostos di Horcynus Orca : per una metafora dell’ibridazione tra nord e sud, storia e natura
Lavinia Torti
2025-01-02 · DOI: 10.1080/02614340.2025.2534208Translation as Reciprocal Maieutic: Danilo Dolci’s and John Berger’s Representations of Sicily and Environmental Justice
Lorenzo Mari
2025-01-02 · DOI: 10.1080/02614340.2025.2534207Reviews
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Version History
October 10, 2026 at 3:35 am
October 9, 2026